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> <channel><title>Comments on: Noah Harlan on Alternate Reality Storytelling</title> <atom:link href="http://www.ifp.org/resources/noah-harlan-on-alternate-reality-storytelling/feed/" rel="self" type="application/rss+xml" /><link>http://www.ifp.org/resources/noah-harlan-on-alternate-reality-storytelling/</link> <description>Independent Filmmaker Project</description> <lastBuildDate>Thu, 05 Sep 2013 05:13:47 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item><title>By: She</title><link>http://www.ifp.org/resources/noah-harlan-on-alternate-reality-storytelling/comment-page-1/#comment-2862</link> <dc:creator>She</dc:creator> <pubDate>Wed, 29 Feb 2012 08:13:38 +0000</pubDate> <guid
isPermaLink="false">http://www.ifp.org/?p=12195#comment-2862</guid> <description><![CDATA[&lt;/a&gt;For sure, we&#039;d never want to use the Canon 7D on-camera mpcorihone in any way (never mix in post editing process with high quality separate audio source).   Aside from a poor quality mic on the Canon 7D, we wouldn&#039;t want to contaminate a good secondary audio recording with a quality mpcorihone that&#039;s CLOSE to the subject.The real problem is the distance between the camera (typically 6+ feet) and the subject, picking up way too much reflected (hollow) sound.Google &quot;inverse square audio&quot;]]></description> <content:encoded><![CDATA[<p>For sure, we&#8217;d never want to use the Canon 7D on-camera mpcorihone in any way (never mix in post editing process with high quality separate audio source).   Aside from a poor quality mic on the Canon 7D, we wouldn&#8217;t want to contaminate a good secondary audio recording with a quality mpcorihone that&#8217;s CLOSE to the subject.The real problem is the distance between the camera (typically 6+ feet) and the subject, picking up way too much reflected (hollow) sound.Google &#8220;inverse square audio&#8221;</p> ]]></content:encoded> </item> </channel> </rss>
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