Anne Carey on Pitching Strategically
by Dan Schoenbrun on October 21, 2010Anne Carey (Producer, This is That) on writing the best possible pitch letter.
From the 2010 Script to Screen Conference.
Christina Hodson on Being Pleasant
by Dan Schoenbrun on October 21, 2010Christina Hodson, Director of Development, CURIOUS PICTURES, on why personality is just as crucial to a writer’s success as talent.
From the 2010 Script to Screen Conference.
Rachel Chanoff on Surviving Criticism
by Dan Schoenbrun on October 21, 2010Rachel Chanoff, SUNDANCE SCREENWRITERS’ LAB, on the subjectivity of the selection process, and how writers should deal with rejection.
From the 2010 Script to Screen Conference.
John Hadity on Script Clearance Reports
by Dan Schoenbrun on October 21, 2010John Hadity, President and CEO, Hadity & Associates, on how screenwriters can abide by copyright law without compromising the depth of their story.
From the 2010 Script to Screen Conference.
John Hadity on Managing Expectations
by Dan Schoenbrun on October 21, 2010John Hadity, President and CEO, Hadity & Associates, on why writers should be financially mindful when developing projects.
From the 2010 Script to Screen Conference.
Case Study: Sophie Barthes on Writing Cold Souls
by Dan Schoenbrun on October 21, 2010Sophie Barthes (Writer/Director) details input that she received from outside sources while developing her project, Cold Souls.
From the 2010 Script to Screen Conference.
Christina Hodson on Good Scripts
by Dan Schoenbrun on October 21, 2010Christina Hodson, Director of Development, CURIOUS PICTURES, on ways around “no unsolicited manuscript” policies.
From the 2010 Script to Screen Conference.
Jonathan Shukat on Criticism and Development
by Dan Schoenbrun on October 21, 2010Jonathan Shukat, Production/Development Executive, PALMSTAR ENTERTAINMENT, discusses why screenplay notes are important, and how he feels that writers should react to them.
From the 2010 Script to Screen Conference.
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