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Independent Filmmaker Project
Film Independent's Fast Track project market

Film Project Markets, Dissected

by Mynette Louie on April 2, 2012

Film Independent's Fast Track project market

Sometimes I feel like a traveling salesman, going from festival to festival selling my finished films, and from market to market pitching my new projects.  I recently participated in my ninth project market on the “filmmaker” side, and I’ve done four of them on …

NEW LOW still

Expert Distribution Tips from a ‘Microeconomics 101′ D Student

by Adam Bowers on February 23, 2012

My first feature, New Low, was released about a month ago digitally and on DVD. You’re about to get insightful analysis on the success of our distribution model by someone who got a D in Microeconomics. If this were the old Back to the Future ride at Universal Studios, Doc …

robkraft

Robert Kraft on Piracy

by Cait Carvalho on February 10, 2012

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Robert Kraft of Fox Music analyzes the collapse of the soundtrack business by comparing the soundtrack sales of Titanic and Avatar.

From the 2011 Independent Filmmaker Conference.

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Managing and Agenting Your Career

by Dan Schoenbrun on February 1, 2012

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Get the inside scoop on representation from filmmakers and their agents and managers, candidly discussing strategies for building and growing careers in entertainment

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Just look at these poor bastards.

Why Filmmakers Don’t Need Money

by Adam Bowers on January 25, 2012

I’m hearing a lot of talk about how independent filmmakers need to be paid for their work, whether it’s regarding distribution deals, online piracy, or their tip percentage at Fuddruckers.

Well, as a young filmmaker, let me give it to you straight from the horse’s mouth (which is currently the only …

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Masterclass: How to Fund Your Documentary

by Dan Schoenbrun on October 31, 2011

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Learn how to navigate the vast array of funding options for non-fiction, and avoid the pitfalls, in this intimate masterclass with sales agent Louise Rosen.

 

Louise Rosen, Managing Director, Louise Rosen LTD
Louise Rosen is a Media Executive with over 25 years …

Members
channing-tatum-dito-montiel-fighting

Sundance 2011: Deals, Deals, Everywhere, But Is There Money to Make?

by Robert Seigel on February 25, 2011

With the conclusion of the 2011 Sundance Film Festival, many sales agents, distributors and mediamakers breathed a collective sigh of relief that more than twenty six deals were negotiated prior to and during the ten day event with some deals about to close in the festival’s aftermath. However, one can …

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The Freedom to Shop: An Option to the Option Agreement

by Robert Seigel on November 24, 2010

When writers submit their scripts into the marketplace, they often encounter producers who cannot afford to purchase the rights.  The producer—frequently independent and undercapitalized—may instead offer to “option” the script by paying the writer a sum of money for the exclusive right to take the script “off the market” for …

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Filmmaker Magazine Blog

  • JON REISS LAUNCHES THE TOTBO SYSTEM
    Tue May 01, 2012 Scott Macaulay
    Jon Reiss has finally realized that the secret to indie-film tutorial success is having a catchy moniker. So, his DIY distribution-and-marketing book …
  • SUNDANCE ANNOUNCES NEW ARTIST SERVICES DISTRO PARTNERS
    Thu Apr 12, 2012 Scott Macaulay
    Four additional distribution outlets — Microsoft Xbox, SnagFilms, Sony’s Video Unlimited Service and VUDU — have joined the Sundance Institu…
  • HOW TO CREATE A PROFITABLE VOD STRATEGY
    Sun Mar 25, 2012 Scott Macaulay
    This distribution case study of American: The Bill Hicks Story has been previously posted at Indiewire, and when it went up, I quickly scanned it and …
  • SCOTT GLOSSERMAN EXPLAINS GATHR AND THEATRICAL-ON-DEMAND
    Fri Mar 09, 2012 Scott Macaulay
    “Tipping.” “Pulling.” “Gathring.” Yes, a new tech start-up has entered the independent film space, and with it a n…
  • “MY HEART OF DARKNESS”: AN INTERVIEW WITH MARIUS VAN NIEKERK
    Sat Feb 11, 2012 Daniel James Scott
    The journey of an international documentary to the United States is an uncertain one. Make its subject a lesser-known foreign war and the post-tra…
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