Cindy Meehl (Director, Buck) discusses Buck Brannaman and his ability to read people, even if it’s just by looking at their horse.
From the 2011 Independent Filmmaker Conference.
Nancy Gerstman reflects on the film’s ability to reach beyond its core audience.
From the 2011 Independent Filmmaker Conference.
Noah Harlan explains some of the considerations that need to be kept in mind when dealing with transmedia storytelling.
From the 2011 Independent Filmmaker Conference.
Some of the best writing and directing is on cable TV right now and it doesn’t surprise me that some of the people who are responsible for that work are artists who started out as independent filmmakers, like yourselves.
My favorites are Breaking Bad, The Walking Dead, The Killing, Boardwalk Empire …
Alrick Brown (Director, Kinyarwanda) discusses how he approached the screenwriting process as writing a series of interconnected shorts.
From the 2011 Independent Filmmaker Conference.
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MembersI’m hearing a lot of talk about how independent filmmakers need to be paid for their work, whether it’s regarding distribution deals, online piracy, or their tip percentage at Fuddruckers.
Well, as a young filmmaker, let me give it to you straight from the horse’s mouth (which is currently the only …
(with titles from Pat Benatar)
Bloodshot eyes
After we wrapped WELCOME TO PINE HILL I was pretty shell-shocked. When people asked me about it I held back a tic and smiled. “It was great.” I’d met other directors who were battered by a tough shoot. I just never thought I would …
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