Post Production

Independent Filmmaker Project
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Music Licensing Basics with Jill Meyers

by Doreen Ringer Ross on November 24, 2010

I’m so pleased to be invited to do this blog for IFP.  Rather than listen to me pontificate about music in film month after month,  I think it would be more meaningful to use this as a platform to gather useful information for you.  I’ll do this in the form …

The Parallel Career

by David Soll on November 23, 2010

I should have written this post six weeks ago.

By that, I don’t just mean I overshot my deadline.  What I mean is, if I was to choose the ideal starting point for a year of monthly dispatches on the release of my first documentary feature – Puppet – six weeks …

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Working Your “Core”

by pfreccero on October 21, 2010

During last month’s Independent Film Week, we met with many filmmakers – both new and experienced – who wanted to know:  “What can I do now [in pre-pro or during production] to help market my film when it’s done?”

Given that this question came up so often, we thought it might …

From One Filmmaker to Another: What Happens When Picture Locks

by Victoria Mahoney on September 7, 2010

IT IS NOT ENOUGH THAT WE GET OUR FILMS “SHOT”. No flip flopping mistake about it, for indie-first timers “after care” is do or muthuhfudding die. In spanning a horizon, “shooting” is to kindergarten what sales agents, distribution (or DIY), festivals (or roadshows), launch (theatrical, viral, backwoods, front porch) is to …

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