by Jordan Passman on January 19, 2012
Jordan Passman (scoreAscore.com) interviews Sue Devine, Senior Director, Creative Services, Film/TV for ASCAP in NYC.
Passman: What is ASCAP? What do they do and how can they be a resource to filmmakers?
Devine: ASCAP is America’s leading performing rights organization. We’re a membership association owned and run by our more than 420,000 …
by Keith Miller on January 11, 2012
(with titles from Pat Benatar)
Bloodshot eyes
After we wrapped WELCOME TO PINE HILL I was pretty shell-shocked. When people asked me about it I held back a tic and smiled. “It was great.” I’d met other directors who were battered by a tough shoot. I just never thought I would …
by Dolly Turner on December 1, 2011
Here are cliff notes for music licensing that will help you secure the ideal music for your phenomenal film, plan in advance, manage your budget!
Why you should care: You’ve worked hard to create a great film! Music does make a difference; think of your favorite soundtrack (maybe The Godfather) and how it …
by Jordan Passman on October 11, 2011
1. Hire a professional, and choose carefully! If you have the budget, call a top agency and hire John Williams…I mean, he really is the best! He did the theme for Star Wars! Unfortunately, for 99.9% of filmmakers today, (and those who aren’t Steven Spielberg) this is not …