George S. Clinton discusses the pros and cons of music libraries and the unique ability that a composer could bring to an original score.
From the 2011 Independent Filmmaker Conference.
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This content is for IFP members. Please login to view.
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I had a disappointing experience the other day. After ordering a DVD of one of my favorite indie filmmaker’s latest works, I popped it in my DVD player. I was excited to discover what extra goodies might await me on the disc. I was soon greeted …
George S. Clinton discusses the digital revolution that’s occurring and how composers are reacting.
From the 2011 Independent Filmmaker Conference.
This content is for IFP members. Please login to view.
Members
Jordan Passman (scoreAscore.com) interviews Sue Devine, Senior Director, Creative Services, Film/TV for ASCAP in NYC.
Passman: What is ASCAP? What do they do and how can they be a resource to filmmakers?
Devine: ASCAP is America’s leading performing rights organization. We’re a membership association owned and run by our more than 420,000 …
(with titles from Pat Benatar)
Bloodshot eyes
After we wrapped WELCOME TO PINE HILL I was pretty shell-shocked. When people asked me about it I held back a tic and smiled. “It was great.” I’d met other directors who were battered by a tough shoot. I just never thought I would …
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