VFX work for “Ain’t Them Body Saints” Directed by David Lowery
Watching the Rhythm and Hues bankruptcy and the rightful backlash from the Oscars unfold, I have taken an odd comfort that the problems we face in the VFX industry are consistent, regardless of scale and budget.
As a small …
Bennett Miller (writer/director, Moneyball, Capote) explains his editing process and the importance of slowing things down and taking the time to examine a film.
There we were, my Producer Alex Reinhard and I, straight off the plane from California to LGA. Pulling up in front of us was the M60 bus that would take us to the fabled NY subway. Three M60’s later, we were finally able to board amidst the pushing and shoving …
Video Village, Indie-Style
Not every director is suited for low-budget indie filmmaking, and that’s OK if you’re Terrence Malick or David Fincher. But chances are, you’re not…or not yet, anyway. I get a fair number of calls from biggish directors and producers who are having trouble raising money for their …
Music supervisors are a tremendous resource for any type of media project. This interview is dedicated to displaying their value in our current industry. Carrie Hughes may very well be the QUEEN music supervisor for reality television.
She has worked on such TV Shows as The Sing Off, Fashion Star, The Hills, The Hard Times of RJ …
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MembersBarry Cole explains the closing of the gap between filmmakers and the troubles of obtaining licensing for music.
From the 2011 Independent Filmmaker Conference.
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