Director Bennett Miller on Editing
by Cait Carvalho on August 22, 2012Bennett Miller (writer/director, Moneyball, Capote) explains his editing process and the importance of slowing things down and taking the time to examine a film.
8 Things NOT To Do in Post on Your First Feature
by Oakley Anderson Moore on July 27, 2012There we were, my Producer Alex Reinhard and I, straight off the plane from California to LGA. Pulling up in front of us was the M60 bus that would take us to the fabled NY subway. Three M60’s later, we were finally able to board amidst the pushing and shoving …
12 Key Traits of the “Indie-Friendly” Director
by Mynette Louie on May 14, 2012Video Village, Indie-Style
Not every director is suited for low-budget indie filmmaking, and that’s OK if you’re Terrence Malick or David Fincher. But chances are, you’re not…or not yet, anyway. I get a fair number of calls from biggish directors and producers who are having trouble raising money for their …
The Benefits of a Music Supervisor :: Interview with Carrie Hughes
by Jordan Passman on May 11, 2012Music supervisors are a tremendous resource for any type of media project. This interview is dedicated to displaying their value in our current industry. Carrie Hughes may very well be the QUEEN music supervisor for reality television.
She has worked on such TV Shows as The Sing Off, Fashion Star, The Hills, The Hard Times of RJ …
Keynote – Bennett Miller
by Cait Carvalho on March 28, 2012This content is for IFP members. Please login to view.
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Shorts to Features
by Cait Carvalho on March 26, 2012This content is for IFP members. Please login to view.
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Barry Cole on Licensing Music
by Cait Carvalho on February 17, 2012Barry Cole explains the closing of the gap between filmmakers and the troubles of obtaining licensing for music.
From the 2011 Independent Filmmaker Conference.
Strategies for Documentary Post-Production
by Dan Schoenbrun on January 20, 2012This content is for IFP members. Please login to view.
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