Video Rodeo, Gainesville, FL’s independent video store
There’s a lot of discussion in the independent film world right now about how filmmakers can earn a living in today’s economic climate, as well as how distributors and art house theaters can continue being profitable in the increasingly-digital landscape.
But, there’s a rarely …
Julie La’Basseire urges you to get that trailer up on Youtube already!
Summit of independent creative producers hosted by MoMA, Indiewire, and Zipline Entertainment in December 2009.
I’m very fortunate to be friends with many accomplished independent film producers–people whose films have screened at the best festivals, won significant awards, gotten picked up by major distributors, earned healthy gross receipts, and …
By Sara Kiener
I’ve been in theatrical distribution for 5 years (a short time by some standards), and have already seen the playing field shift dramatically. 5 years ago, I interned at a reputable distribution company that no longer exists. 3 years ago, I placed trailers in art house theaters that …
Video Village, Indie-Style
Not every director is suited for low-budget indie filmmaking, and that’s OK if you’re Terrence Malick or David Fincher. But chances are, you’re not…or not yet, anyway. I get a fair number of calls from biggish directors and producers who are having trouble raising money for their …
What’s the best way to ensure a successful a Kickstarter campaign? How do I self-distribute, or digitally distribute my film well? What should I post on my Facebook page as opposed to my Twitter feed? What if I’m not on Twitter?
For the filmmakers who attended the IFP/Film Presence/DCTV panel on …
Sheri Chandler discusses the importance of filmmakers creating their own style of storytelling and developing a relationship with an audience.
From the 2011 Independent Filmmaker Conference.
Lance Weiler breaks down the traditional formation of an audience and explains how they could potentially become collaborators.
From the 2011 Independent Filmmaker Conference.
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