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Independent Filmmaker Project
My Brooklyn

My Brooklyn: A Case Study in Viable Theatrical Self-Distribution

by Dan Schoenbrun on March 4, 2013

My Brooklyn will be opening for a 3rd week run at the reRun Theater in DUMBO Brooklyn. For tickets click here.

Kelly Anderson and Allison Lirish Dean’s My Brooklyn, a documentary about the forced gentrification of Downtown Brooklyn’s Fulton Mall, opened theatrically this past January as part of IFP’s new partnership …

michel

Conversation with Michel Reilhac

by Ibrahim Mahdi on February 28, 2013

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Members
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Members Only- Master Class on How to Avoid the Big Self Distribution Mistakes from IFW Conference 2012

by Justin Ferrato on February 21, 2013

More and more filmmakers and producers are choosing to circumvent the traditional distribution system for a more dynamic, economical, and creative approach to getting their films seen. Call it Direct-to-Fan, Creative Distribution, D.I.Y. or Self-Release — what matters most is that before you head down this road, you better watch …

Person to Know

Indie film distribution in a digital world: A master class w/Dylan Marcetti & Josh Braun

by Justin Ferrato on February 14, 2013

Short interviews with the heads of some of the most exciting new companies such as Dylan Marchetti (Variance Films) and Josh Braun (Submarine Entertainment) working in independent film & media today. Hear about their work, and the ways they are working to make change for independent media makers. The panel …

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Writing the short film: Making it something special

by Kat Candler on February 12, 2013

 

Kat Candler is writer-director based in Austin Texas, Kat’s award winning films have screened at Sundance, the Los Angeles Film Festival, San Francisco International Film Festival, SXSW, Slamdance.

IFP so sweetly asked me to do a few write-ups on “Making Short Films”. I’m certainly not the expert by any …

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Beasts of the Southern Wild Case Study

by Ibrahim Mahdi on February 7, 2013

Benh Zeitlin’s fantastic allegory “Beasts of the Southern Wild” started as a play, was grounded in a short film, cast with non-actors, filmed on the bayou, and was produced by a bunch of friends from college and before. It premiered at Sundance, won the Grand Jury Prize and got picked …

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Henry Bean on Writing Dialogue

by Jacob Appet on February 1, 2013

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Henry Bean warns against flashy dialogue.

From the 2012 Script to Screen Conference.

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Hobbit Titles: An Unexpected Journey in Confusion

by Mark Litwak on January 3, 2013

Warner Brothers, New Line, and its affiliates (“Plaintiffs”) recently achieved a rare courtroom victory by obtaining a court order restraining distribution of a film they claimed unfairly competed with one of its titles. The target of their ire was The Global Asylum’s (“Asylum”) film The Age of Hobbits. Asylum was …

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