by Dan Schoenbrun on October 21, 2010
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John Hadity, President and CEO, Hadity & Associates, on how screenwriters can abide by copyright law without compromising the depth of their story.
From the 2010 Script to Screen Conference.
by Dan Schoenbrun on October 21, 2010
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John Hadity, President and CEO, Hadity & Associates, on why writers should be financially mindful when developing projects.
From the 2010 Script to Screen Conference.
by Dan Schoenbrun on October 21, 2010
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Susan Lewis, (Producer, BIG PITA LIL PITA PRODUCTIONS) on why it is a necessity for writers to be passionate about and committed to the projects they choose to work on.
From the 2010 Script to Screen Conference.
by Dan Schoenbrun on October 21, 2010
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Paul Rachman, Co-Founder, SLAMDANCE FILM FESTIVAL, on how hard it can be for young writers to embrace criticism.
From the 2010 Script to Screen Conference.
by Dan Schoenbrun on October 21, 2010
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Rachel Chanoff, SUNDANCE SCREENWRITERS’ LAB, on why the public’s focus is shifting towards multiplatform products, and why this focus should be freeing for writers.
From the 2010 Script to Screen Conference.
by Dan Schoenbrun on October 21, 2010
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Sophie Barthes (Writer/Director) details input that she received from outside sources while developing her project, Cold Souls.
From the 2010 Script to Screen Conference.
by Dan Schoenbrun on October 21, 2010
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Christina Hodson, Director of Development, CURIOUS PICTURES, on ways around “no unsolicited manuscript” policies.
From the 2010 Script to Screen Conference.
by Dan Schoenbrun on October 21, 2010
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Paul Rachman, Co-Founder, SLAMDANCE FILM FESTIVAL, on when in the filmmaking process to consider trans-media elements.
From the 2010 Script to Screen Conference.
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