Want The Film Look? Shoot Film. Tuesday, September 17th, 2013 12:45PM - 1:30PM
In the age of everything digital, why do filmmakers, with all size budgets, still choose to shoot film for their productions? Is it a tribute to a technology from the past or the recognition that only film achieves the organic, emotional look necessary to propel their stories? From Star Trek to Beasts of the Southern Wild and even truly micro budget work like Daddy Longlegs and The Color Wheel , film continues to deliver the look. Come join the discussion about the myths, realities and latest technical options of shooting a project on film. Sponsored by Kodak
Add this event to: iCal , Outlook , Google
Moderator Bob Mastronardi Bob has worked with Kodak since 1992 in various sales, marketing and technical positions servicing motion picture customers through out the US.
Panelists Nekisa Cooper After coaching college basketball and working in Brand Management for such companies as Colgate Palmolive and L’Oreal, Nekisa Cooper found the perfect intersection of her skill sets in Creative Producing. Based in New York, she produced the Sundance Channel documentary feature EVENTUAL SALVATION and the Focus Features-released narrative feature PARIAH. In addition she has produced several shorts for writer/director Dee Rees, including PARIAH, COLONIAL GODS and ORANGE BOW. Notably, she was the recipient of the 2013 Fox HBCU Alliance Media Grant in partnership with Film Independent and a producing fellow for the 2010 IFP Trans Atlantic Partners Program, the 2009 IFP Cinemart/Rotterdam Producing Lab, the 2009 Film Independent Project Involve Program and the 2008 Sundance Institute Creative Producing Lab. Nekisa is in post-production on the feature documentary THE UGLY DOLL and in development for Dee Rees’s third feature, BOLO. Nekisa holds a BA from William & Mary and an MBA from Clark Atlanta University.
-
Andrew Renzi Andrew directed the shorts, The Fort and Karaoke!, both premiered at Sundance. He recently wrote the Janis Joplin biopic, Janis, with director Sean Durkin. His feature debut, Franny, was a Sundance Screenwriters Lab project, a recipient of the Cinereach Writer's Grant, and will shoot in October, starring Richard Gere.
Award-winning cinematographer Brian Rigney Hubbard has photographed over thirty ?lms. His credits include MAY IN THE SUMMER, directed by Cherien Dabis, Sundance 2013; directing second unit for
LA VIDA INESPERADA, directed by Jorge Torregrossa and produced by Pedro Almodovar; CIRCUMSTANCE, directed by Maryam Keshavarz, Sundance Audience Award 2011; TANNER HALL, directed by Tatianna von Furstenberg and Francesca Gregorini, which premiered at the 2009 Toronto International Film Festival and won the GENART NY FESTIVAL 2010.
← Back to Filmmaker Conference schedule
Kodak 
Loading ...